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Arabic calligraphy art, with a twist

Islamic calligraphy takes on unusual dimensions in the hands of Indonesian artists

 Helmi Yusof

Helmi Yusof

Published Thu, Jul 6, 2023 · 06:00 PM
    • Haryadi Suadi’s The Buraq (1986) (left) and A.D. Pirous’ Sura Isra II: Homage To My Mother (1983) (right) both feature the mythical buraq winged creature alongside Arabic calligraphy.
    • Haryadi Suadi’s The Buraq (1986) (left) and A.D. Pirous’ Sura Isra II: Homage To My Mother (1983) (right) both feature the mythical buraq winged creature alongside Arabic calligraphy. PHOTO: JOSEPH NAIR, MEMPHIS WEST PICTURES

    IT DOES not matter if you do not read Arabic, the calligraphy of this ancient language possesses a captivating beauty of its own. The graceful curves, intricate tangles and delicate dots come together to create an aesthetic that can be admired independently.

    Throughout history, Islamic culture has fostered a rich artistic tradition centred around calligraphy, and these exquisite images have adorned homes worldwide as decorative pieces.

    However, the latest exhibition at the National Gallery Singapore aims to go beyond showcasing the allure of these artistic forms. Entitled The Neglected Dimension, this exhibition brings together four Indonesian artists who have received their training in Bandung, an important art hub in the region.

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