Art Stage to be presented on new canvas
Presence of strong curators for country or region-based platforms almost guarantees a better show, says HELMI YUSOF
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IN an increasingly competitive art fair market, Art Stage has overhauled itself to stay ahead of the game. For its fourth edition next January, it has reduced the number of galleries - from 130 this year to just 100 next year. But in their place, there will be eight country or region-based platforms created by top curators around the region.
The eight platforms are India, China, Taiwan, Japan, South Korea, Australia, Central Asia and South-east Asia. Possibly controversial is the decision to subsume Singapore - which for the past three Art Stage editions had its own platform - into the South-east Asia platform, comprising also Malaysia, Indonesia, Cambodia, Laos, Myanmar, the Philippines and Thailand.
Arguably, the creation of platforms - especially the Central Asia and Australia ones - will offer a window into these regions' art, which hitherto were either missing or lost in the cornucopia of art on display.
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