Dizzying, no-holds-barred study of corruption
The Wolf of Wall Street will offend some, perhaps inspire others, writes GEOFFREY EU
NOTHING succeeds like excess, as they say, and The Wolf of Wall Street is about as excessive as it gets.
Director Martin Scorsese's paean to a time (the decade between the late-1980s and late-'90s) when greed was good and a job on Wall Street was the equivalent of handing ambitious 20-somethings the keys to an adult candy store is itself a bloated, over-indulgent exercise in excess - but boy, it sure looks like they had a lot of fun.
The "wolf" in the title refers to Jordan Belfort, a young man who discovered his calling in the art of selling less-than-kosher penny stocks to unsuspecting investors. When Belfort (played by Leonardo DiCaprio), a novice in the stockbroking industry, becomes another statistic in the 1987 financial crisis, he finds a lucrative way of - as he puts it - moving money from his clients' pockets into his own.
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