Quiet, hard-hitting chamber piece

HOW does one take an issue as horrific as corrective rape and/or homophobic murder and craft a performance piece out of it? While I Stand Corrected was loaded with heavy issues, South African dancer/performer Mamela Nyamza and British writer/performer Mojisola Adebayo's collaborative performance last week focused not on the acts of violence, but on the emotions related to it.

Told like a story, but mainly with movement, text, and drama, I Stand Corrected sent out the right vibes - to draw one into …