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SIPF 2022: Enigmatic and entrancing

The 8th edition of Singapore International Photography Festival is one of its best yet

Helmi Yusof

Helmi Yusof

Published Thu, Sep 22, 2022 · 06:00 PM
    • Photographer Aik Beng Chia takes over one of the units in Peace Centre and transforms it into a Club Hawaii-like experience to showcase his photographs. (Club Hawaii is one of the oldest nightclubs in Singapore.)
    • Photographer Aik Beng Chia takes over one of the units in Peace Centre and transforms it into a Club Hawaii-like experience to showcase his photographs. (Club Hawaii is one of the oldest nightclubs in Singapore.) KEN CHEONG FOR SIPF

    ON the second floor of Peace Centre (unit number #02-06), there is a nondescript room that resembles the waiting areas of clinics and offices. One takes a number, sits on one of its pristine white chairs, and waits to be called into another room. When that happens, one finds oneself face-to-face with a computer that narrates the politics and poetry of waiting, that space between anticipating and experiencing.

    On a nearby shelf are several postcard-sized pictures of walls taken around Peace Centre. They show the cracks, patches, fissures and peeling paint on the building, all of which – as the computer tells us – are also metaphors of waiting. For it is not just living things that wait for things to happen or arrive, non-living things do the same too, even if they are unaware of it.

    Peace Agency is a collaboration between Geraldine Kang (Singapore), Cynthia Delaney Suwito (Singapore/Indonesia) and Woong Soak Teng (Singapore), which transforms a commercial unit in Peace Centre into a waiting experience. KEN CHEONG FOR SIPF

    The site-specific installation titled Peace Agency is conceived by 3 artists, Geraldine Kang, Cynthia Delaney Suwito and Woong Soak Teng. The work is strange, hypnotic and unquantifiable. But if you embrace it whole-heartedly, it may prove to be a transportive experience – even a transformative one.

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