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In Venice, minimalist Singapore show speaks volumes

Amid cacophony of countries hawking artists at the Venice Biennale, Singapore takes a different tact by speaking softly.

    Published Fri, Apr 22, 2022 · 05:50 AM

    WITH over 80 countries vying for the attention of 600,000 international visitors in Venice, the Singapore Pavilion is surprisingly quiet. It's conceived as an isle of calm in a sea of brightness and bluster, a respite from the madding crowd.

    You step into a life-size maze made out of paper, only to realise you've entered the architecture of a book. As you follow the path going deeper into the maze, you encounter a film that tells the story of books - how they're published, how they're banned, and how they're sometimes preserved against all political, social and economic odds.

    Further into the maze, there is a small structure made out of books. You're invited to take a free copy of Pulp III: An Intimate Inventory Of The Banished Book (2022), and sit on one of benches to browse the 400-page tome, which recounts the history of Singapore and Venice as once-formidable printing hubs, and other stories about publishing.

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