‘Venom’ still kills, topping North American box office

    • In the latest installment of "Venom", Tom Hardy reprises his role as a disgruntled journalist who morphs into a terrifying alien with huge jagged teeth - and what has been described as a Gene Simmons tongue.
    • In the latest installment of "Venom", Tom Hardy reprises his role as a disgruntled journalist who morphs into a terrifying alien with huge jagged teeth - and what has been described as a Gene Simmons tongue. PHOTO: SONY PICTURES SINGAPORE
    Published Mon, Oct 28, 2024 · 06:27 AM

    THE new Columbia/Marvel superhero film Venom: The Last Dance failed to match the openings of the series’ two previous episodes but still easily topped the North American box office with ticket sales estimated at US$51 million, industry watchers said.

    Venom: Let There Be Carnage, the follow-up to the original Venom, had enjoyed a US$96 million opening weekend in 2021, but Last Dance faced stiff competition for viewers from a baseball World Series featuring the New York Yankees and Los Angeles Dodgers.

    Tom Hardy again plays a disgruntled journalist who morphs into a terrifying alien with huge jagged teeth – and what has been described as a Gene Simmons tongue – in a cast that includes Chiwetel Ejiofor, Juno Temple and Rhys Ifans.

    With Halloween only days away, meanwhile, Paramount’s horror film Smile 2 slipped just one spot from last weekend’s opening, taking in US$40.7 million, industry watcher Exhibitor Relations said on Sunday. Naomi Scott plays a troubled pop star afflicted by a grim curse.

    Third place went to the new religious thriller Conclave from FilmNation, with US$6.5 million. Ralph Fiennes, playing a cardinal called on to “manage” the election of a new pope, finds himself caught in shadowy, back-stabbing intrigue while wrestling with questions of his own faith – and ambition.

    Stanley Tucci and John Lithgow play fellow cardinals, each with his own agenda, and Isabella Rossellini is a nun of steely countenance.

    Analyst David A. Gross said the film, with “sensational critics’ reviews”, is well-positioned in the Oscars Best Picture race. Edward Berger (All Quiet on the Western Front) directed the film, which is based on a Robert Harris thriller.

    In fourth, down two spots, was Universal and DreamWorks Animation’s The Wild Robot, about a robot having to get along witih fuzzy woodland creatures after being stranded on a remote island. It took in US$6.5 million.

    And hanging steady in fifth was We Live in Time, a romantic drama from StudioCanal, at US$4.8 million. Andrew Garfield and Florence Pugh star.

    Rounding out the top 10 were:

    Terrifier 3 (US$4.8 million)

    Beetlejuice Beetlejuice (US$3.2 million)

    Anora (US$867,000)

    Piece by Piece (US$720,000)

    Transformers One (US$720,000). AFP

    Decoding Asia newsletter: your guide to navigating Asia in a new global order. Sign up here to get Decoding Asia newsletter. Delivered to your inbox. Free.

    Share with us your feedback on BT's products and services