JEWELLERY

A nod to contemporary Singapore jewellery design

#SGJewelleryNow is the Asian Civilisations Museum’s first showcase of its kind 

Published Thu, Jul 4, 2024 · 06:00 PM
    • #SGJewelleryNow is staged as an intervention in the jewellery gallery of the Asian Civilisations Museum.
    • #SGJewelleryNow is staged as an intervention in the jewellery gallery of the Asian Civilisations Museum. PHOTO: ASIAN CIVILISATIONS MUSEUM

    SINGAPORE has long had a thriving jewellery industry, with designers and brands to cater to every taste and budget. And now, creativity in the field is being honoured with a museum pop-up showcasing contemporary local jewellery design.

    Following the Asian Civilisations Museum’s (ACM) exploration of “Asia in Fashion” as a curatorial theme since 2019, its outgoing director, Kennie Ting, says the museum is “now ready to venture into other contemporary forms of design, in particular jewellery and furniture”.

    It is thus debuting #SGJewelleryNow, while also staging its third and final instalment of #SGFashionNow, featuring works by 28 established and emerging fashion designers.

    In its first showcase of contemporary Singapore jewellery, six works by three local jewellery designers and houses are taking centre stage. Each of Edmond Chin, Foundation Jewellers and State Property’s pieces reinterprets aspects of South-east Asian heritage.

    Singapore-born and Hong Kong-based Edmond Chin is a jewellery designer who founded his own salon, Etcetera, in 2001, and is also the creative director of Geneva-based high jewellery house, Boghossian.

    The Conus Shell Bangle by Edmond Chin was made by repurposing a pair of 19th century Dayak bangles. PHOTO: ASIAN CIVILISATIONS MUSEUM

    He is a respected collector of Straits Chinese jewellery who donated an almost 400-strong collection to ACM’s jewellery gallery. The gallery, which spotlights island South-east Asian jewellery, is also where #SGJewelleryNow is being staged.

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    With the Flores Taka Necklace, Edmond Chin repeated and inverted the characteristic double-axe motif of the Ngada people’s taka pendants to create a broad collar of triangular shapes. PHOTO: ASIAN CIVILISATIONS MUSEUM

    Meanwhile, Foundation Jewellers, which began as a goldsmith in 1976, is known for its handcrafted modern Peranakan jewellery. Its most famous work is the Bird of Paradise Brooch, which was presented to the late Queen Elizabeth II as a Diamond Jubilee gift in 2012 by then Singapore president Tony Tan. She was photographed multiple times wearing the brooch, which is a modern take on the kerosang – a decorative fastener used on blouses.

    The Bird of Paradise Brooch by Foundation Jewellers. A brooch of the same design was presented to the late Queen Elizabeth II as a Diamond Jubilee gift in 2012 by then Singapore president Tony Tan. PHOTO: ASIAN CIVILISATIONS MUSEUM
    The Hairpin-Ring by Foundation Jewellers is made from a hairpin typically worn by Peranakan women to secure their tightly coiled hair buns. This ring bends with the curve of the wearer’s finger. PHOTO: ASIAN CIVILISATIONS MUSEUM

    The third jeweller, State Property, was founded in 2015 by Central Saint Martins-trained Lin Ruiyin and industrial designer Afzal Imram. The couple produce contemporary fine jewellery with traditional craftsmanship. Famous fans of their work include actress Nicole Kidman, former US first lady Michelle Obama and American pop star Lady Gaga.

    State Property’s Modernised Heirloom Necklace was repurposed from a gold rope chain and a pair of heirloom jade earrings. PHOTO: ASIAN CIVILISATIONS MUSEUM
    The Spade Warisan Emerald Signet Ring features hand-carved floral motifs adapted from a Javanese comb in the ACM collection. PHOTO: ASIAN CIVILISATIONS MUSEUM

    #SGJewelleryNow runs till Sep 1, 2024, in the Jewellery Gallery, Asian Civilisations Museum

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