Ten lessons from a history of disruptions
There are many common reasons how and why business disruptions happen, and are resisted
[SINGAPORE] Disruption has felled many once-great companies, including Digital Equipment, Nokia, Sears, Kodak, Blockbuster, Borders as well as several newspapers and brick-and-mortar retailers across the world.
In his new book, Epic Disruptions, Professor Scott D Anthony, a professor of strategy at Dartmouth College in the US, chronicles how a variety of disruptions down the centuries have reshaped industries and societies.
Having worked as a consultant with Professor Clayton Christensen, the pioneer of the study of business disruption, and ranked among the top 10 most influential management thinkers by Thinkers50, he brings both academic and practical experience to trace the history of disruptions, from the printing press to generative artificial intelligence. Here are 10 lessons from that history, based on both the book and my conversation with Prof Anthony:
Market leaders usually see a disruption coming, but don’t act
There are both rational and irrational reasons for this. The rational reason is that it makes more sense to run their existing business better, instead of disrupting it when a new challenge emerges. The irrational reason is fear, worry and struggles, often rationalised as “maybe this time it will be different, maybe I will be immune to this”.
Nokia was a case in point. When Apple’s iPhone was launched in 2007, Nokia, which was the market leader in mobile phones with around one billion customers, thought it was unassailable.
It saw the iPhone as a niche, expensive product that lacked key features such as a removable battery and a physical keypad and did not have a variety of models. What it missed was that the iPhone was not just a product but an ecosystem, which made it a software platform and a computing device.
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“Ghosts” haunt every organisation
Drawing on Charles Dickens’ A Christmas Carol, Prof Anthony suggests that every organisation is haunted by ghosts of the past, present and future.
Ghosts of the past are invoked when leaders of organisations say: “We tried that before and it didn’t work.” Ghosts of the present are evidenced by the statement: “This – not that – is the way we do things around here,” while ghosts of the future come into view when leaders point out: “If we move from this state to that state, we might lose our jobs.”
Disruption is not necessarily technological
We often view disruption as being a technological phenomenon. But Prof Anthony reminds us that there have been several disruptions that were not. He explains, for instance, how Florence Nightingale revolutionised nursing in the 19th century. During the Crimean War, she used data to show that more soldiers died from preventable diseases than from battle wounds because of poor sanitary conditions in hospitals.
Emphasising prevention and not only treatment, her work led to the redesign of health facilities and sanitation reforms in public health, which dramatically reduced mortality rates and transformed healthcare.
In recent years, Taylor Swift has disrupted the music industry. Lacking ownership of her music, which was originally owned by record labels, she re-recorded new versions of it, which had the double benefit of making money off the re-recordings and providing new music for her fans.
She also communicates with her fans on social media, where she hints at future releases, invites selected fans to private listening parties and even stages unexpected appearances, including at fan weddings. Swift pioneered a new route to musical stardom.
Prof Anthony cites DBS Bank as another disrupter. It has not developed any new technology, but has used technology to transform its business model in ways far beyond what most other banks have been able to do.
For instance, it has partnered widely with non-banks in areas such as e-commerce, travel and ride-hailing, deployed artificial intelligence (AI) across hundreds of use cases, created connectivity with other payment networks, such as Alipay and QR codes, and was one of the first banks in the world to create an exchange to enable the trading of digital assets.
Chinese companies such as ByteDance, Kuaishou and Tencent have disrupted the movie business through “micro-dramas”, typically made up of short episodes of one to five minutes, with the whole series adding up to roughly the length of a conventional feature film.
Viewers, now numbering hundreds of millions, have been hooked by the format, which has also become a major cultural export. This is another example of how business model innovations can also be disruptive.